Chenai Art Theatre & Masquerade are Unlocking Theatre in Chennai

THEATRE UNLOCKED

Chennai Art Theatre (CAT) and Masquerade – the Performance Group (Chennai), two of Chennai’s popular event producing companies, come together, for the first time, to host a SPECIAL WORLD THEATRE DAY EVENT.

World Theatre Day is celebrated on MARCH 27^th annually, since the 1960s, across the world in a big way. In Chennai too, city’s theatre groups have individually for the past few years celebrated MARCH 27^th.

Masquerade started celebrating WORLD THEATRE DAY in the year 1997, when its Founder-Artistic Director, Dr. S. Krishna Kumar, came back from Berlin, after a stint at professional theatre in Germany, where he met international artists at a World Theatre Day celebration in 1996. Since then, Masquerade has celebrated World Theatre Day annually.

This year, Masquerade joins hands with Chennai Art Theatre, headed by A. Charles & Gowtham Ganesan, to bring SIX of city’s prominent stage drama companies on this GRAND OCCASION.

This is the largest coming together of city’s theatre groups in more than a year, since the city went into LOCKDOWN due to COVID-19.

CAT & Masquerade are UNLOCKING THEATRE back to its LIVE status. Hence THEATRE UNLOCKED.

Over 6 performances on 26^th & 27^th (3 performances each day, at 4 pm, 6 pm and 8 pm), 6 city groups will stage the event.

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THE SIX PLAYS AND DETAILS:

26^th March – 4 pm – Naveena Koothupattarai presents BAHISHKAARA (Relegation) – in Tamil

Synopsis:

Bahishkaara (Relegation) brings together the untold stories of unsung heroes from the great Indian epic. The play seeks to unearth the tales of Duryodhana, Aravaan, Shikandi and a few other overlooked yet salient characters through music and dance.

Conceived & Directed by Aadhira Pandilakshmi & Sathish

Running Time: 45 minutes (approximately)

Tickets here: Checkout  https://in.bookmyshow.com/plays/bahishkaara-relegation/ET00308214 

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26^th March – 6 pm – Narjaya presents PASI (Hunger) – in Tamil

Synopsis:

A man, a woman and abundance of time. It’s funny, it’s scary and it’s real.

‘Pasi’ is a Tamil absurdist fiction written by Padmasri. Indira Parthasarathy, who is the only Indian writer to have won both the Sangeet Natak Academy and the Sahitya academy award. Crafted in a space supended from time, ‘Pasi’ (hunger) is a play to look forward to.

Cast: Kamatchi Kaleeswaran  & Karthik Gowrisankar

Written by Indira Parthasarathy

Directed by Karthik Anantharaman

Running Time: 45 mins (approximately)

Tickets Here:  https://in.bookmyshow.com/plays/pasi-hunger/ET00308217 

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26^th March – 8 pm – Veshadharis present ASHWATTHAMA – in Tamil

Synopsis:

Is Ashwatthama still alive?

A delusional depiction of a meeting between Ashwathama and Parikshit the last heir Pandavas… Come and witness the battle of gratitude and grief… with a dose of contemporary overtones and satirical humour

Written by Chandrasekar Venkataraman

Directed by Sudarsun & Chandrasekar

Running Time: 45 mins (approximately)

Tickets Here:  https://in.bookmyshow.com/plays/ashwatthama/ET00308213 

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27^th March – 4 pm – Stagefright Productions present – COFFEE  – in English

Synopsis

Three couples, three different conversations and coffee. Some humorous, some hilarious, some whacky! Sure to leave you entertained!

Title: A Love Story

Written by Rajesh Rajamani

Performed by Vinithra Madhavan Menon and Abishek Joseph George

Directed by Sandeep John

Title: Arranged

Written by Belinda Peter and Zubin Vincent

Adapted from Holidays! by Ethan Tucker

Performed by Susan Jacob and Zubin Vincent

Directed by Zubin Vincent

Title: Surprise

Directed by Deepa Nambiar

Running Time: 45 minutes (approximately)

Tickets Here:  https://in.bookmyshow.com/plays/coffee/ET00308215 

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27^th March – 6 pm – MASQUERADE presents G.O.M.D… (Of Gods, Girls, Graves) – in English

Synopsis:

A woman, Goddess nonetheless… A man, a grandson with a duty… and their gripes and coffin tales! Two hilarious takes on marriages, affairs, legacies!

Devised for stage / Directed by Krishna Kumar. S

Running Time: 60 minutes (approximately)

Tickets Here: https://in.bookmyshow.com/plays/g-o-m-d-of-gods-girls-and-graves/ET00308216 

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27^th March – 8 pm – Theatre Arlequin presents THE HEART HAS ITS REASONS – in English

Synopsis:

Two different scenarios…two variations on the same theme ….. quest for a soul mate !!! Or is it sole mate ? Come with your funny bones… if not with a mate.

Titles:

The Language of Love : Language is essentially a tool of communication that should bring people together in an exchange of ideas. However some people use language to incite hatred or to hide the truth: politicians are masters in this. So sometimes it is necessary to invent a new language… especially for love.

The Mating Game: Since time immemorial man’s quest for a mate has involved meandering in a tortuous  labyrinth  of relationships and lost chances. One wrong word or a gesture can break a burgeoning romance. So what is the secret to this mating dance? Perhaps it is just the hand of destiny!

Directed by R. Amarendran

Running Time: 55 minutes (approximately)

Tickets Here: https://in.bookmyshow.com/plays/the-heart-has-its-reasons/ET00308218 

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Each of the performances would be followed by a moderated audience Interface with the Director/Production Company (if the company is open to it!)

For further details, buzz me (KK) at 9884029865 & A.Charles at 9841495497

World Theatre Day 2020

Coming Soon @ Masquerade, Chennai

Masquerade presents World Theatre Day 2020

A FREE TO REGISTER, public participation event, inviting artists and theatre enthusiasts to join in celebrating World Theatre Day. The day is being celebrated for the 22nd year in Chennai by Masquerade – the performance group, ChennaI. For more details on World Theatre Day, visit: https://iti-worldwide.org/worldtheatreday.html

Some may say this is not the time to celebrate. But in times of contagion and life threatening crisis like this, if we do not celebrate life, and its ONE TRUE MIRROR, live theatre, when then?

It is our responsibility and privilege as artists to exhibit freedom… Come join us, the online stage is yours.

Public Performance Event
Genre: Any that you may choose
Duration : 1 to 10+ minutes (not exceeding 12 please)
Language : Tamil, English or Mime preferably (but any that you may choose)

PS: Nothing Filmy, or anything from films. Create your own original piece. WE WANT YOU TO BE YOUR ORIGINAL YOU. We want your theatrical talent to be featured, showcased. Please do grace our World Theatre Day celebrations with YOU.

This is not an age restricted event. Young talents are allowed too. Therefore, in public interest, Strictly please, no verbal or physical violence, political, personal or COVID19 propaganda statements.

REGISTRATION & PARTICIPATION FREE.
YOU CAN EVEN PARTICIPATE AS A DUO OR GROUP SO LONG AS YOU’RE ON SAME SCREEN AND HANDLE

To Register CLICK HERE

Calling the Cows by Mohan Narayanan

The book by Mohan Narayanan, his 7th work of fiction, is definitely worth a read. The premise is based on the Latin phrase that means You Become What You Eat. 

What is interesting is the way he weaves his narrative: of course, Mr. Narayanan is known for interweaving of myths and legends across cultures. He is also known for his meticulous research based factual observations on scientific phenomenal influence on society at the crossroads of religious beliefs and inexplicable real time occurrences. In this work all these are present. However, what stands out is how all these combine within the space of a novella. 

I'm not going to spill the story or its sensational ending, all of which makes for a terrific magical realistic movie potential in the same vein as say The Life of Pi. Suffice it to say, when the pipe is played, the speakers are turned on, when the calling starts and the cows start flying home....it gets visceral, you might as well be sitting in an IMAX, wearing 3D glasses, seeing the horns graze past your cheek, as they rush past you! A great, quick read if you just decide to travel, say an ICE from Berlin to Amsterdam or Munich to Paris Nord or Kobnhavn to Hamburg. It could well be a Shatabdi from Chennai to Bengaluru too. That is, if you set aside the nagging little proofing errors in spellings.

Let's Play Madras on August 22nd

This Madras Day, on August 22nd, between 7 pm and 11 pm… Experience Madras like never before and showcase how Madras-savvy you are!

The Great Madras Board Game 

To Register, Click HERE

Event Description :

It’s AUGUST 22 – It’s MADRAS DAY – The Day this city was officially established as a little Trading Post off what’s today our own Marina Bay…
And we are celebrating it WITH A BOARD GAME. For Once, we produce, you are the actors, ARE YOU WILLING TO STEP UP TO THE STAGE AND PLAY?
Conceived over 12 years ago, in 2007, we’ve worked constantly on and off to get here… We’ve developed a BOARD GAME FOR YOU… THE GREAT MADRAS TRIP
How well do you know your city?
You think you’re a hard-core North Madras beast? You think the ECR and the OMR are the palm of your hands? Or are the creature that’s lost in CHENNAI without your Google Maps and GPS?
Show us, strut your knowledge of WHAT WE CALL MADRAS and you call Chennai.
BASIC GAME DESCRIPTION: You’re a traveller. We give you starting points to choose, we provide you the destination based on the origin. And you have to get there. You roll the dice, you strategise the route using modes of city transport we provide and a certain amount of resources to use. As you (and your partner – did we not say it’s a team of two game ? Oh my !!) explore the city, you’d come across challenges we pose (after all Mario and Luigi can’t get to Super Mario Central without challenges and obstacles, can they?). This is going to test your knowledge of Trivia and Heritage as well as the HISTORY OF THIS MARVELLOUS MADRAS… and of course, what is city traffic without situations that prompt delays and stuck-ups !

SOUNDS LIKE YOUR KIND OF FUN AND CONNECT WITH MADRAS?
Sign up using the Google Form found in the link above! We’ve 3 slots of time, choose your time, come with your partner, pay your registration fee and you’re all set to Explore Madras.

WE ARE GAME, ARE YOU? LETS PLAY MADRAS….on THE GREAT MADRAS TRIP – 22nd AUGUST, 2019 (THURSDAY). 

TOTAL MOONSENSE

... is a summer-time comedy play for all you who are 8 years old and above!

TOTAL MOONSENSE ? What's that ??

Inspired by James Thurber's classic short story "Many Moons" comes this TOTAL MOONSENSE

Princess Lenore of Lenoress Town wants the Moon. And she falls sick. Yeh Dil Ki Baat Hai!!!

From the good old time of doting Kings and lovable Princess, bumbling Jesters and bungling Prime Ministers (these days they are bumbling dime a dozen, don't they!!!)...

Goofy Royal Magicians and Royal Mathematicians who can't get their numbers right... comes this story.

Add to this mix of bumbling characters in this comedy of errors our own INDIAN ASTROLOGER - Panchu Mama - and a bunch of travelling Bollywood shooting-stars!

It's an approximate hour of riot we've lined up for you, your family and YOUR KIDS!

TOTAL MOONSENSE that is not completely total non-sense!

In the cast: Abhishek Ramabhadran, Aravind S, Ashvi KS, Krishna Kumar S, Pranav Diwakar, Priyanka Sankaran, Shrivatz A, Shubh Mukherjee, Utsav Raj, Varsha Varadarajan

Script by KK
Directed by Shrivatz Agaram

TICKETS - ₹ 200/-

At CurioPlay, Alwarpet on 25th May (Saturday), 2019 - 5 pm and 7 p.m
Available on Townscript here - BOOK TICKETS FOR TOTAL MOONSCRIPT 

For further details, call us at 9884029850 or email at bearandbeanbag@gmail.com

World Theatre Day 2019 - Presenting ANTIGONE...

We're excited. It's another WORLD THEATRE DAY. But for us it's not just another WTD this 2019. This is our 21st WTD celebrations, which we started back in 1998. And this WTD, on March 27, we fructify with our long-cherished production - ANTIGONE - adapted, devised and scripted putting together multiple sources that include but not limited to Sophocles, Hölderlin and Brecht...

The universality and contemporaneity of ANTIGONE is undeniable, and is resonant in today's war-torn, strife-ridden world as well as India, as ever.

EVENT: Performance of ANTIGONE
Medium: Theatre performance
Language: ENGLISH
Duration: 70 minutes
Date: 27 MARCH, 2019 (one performance only on its premiere)
Venue: ALLIANCE FRANCAISE DE MADRAS, Chennai, India

Stay tuned here as well as here for further details...

Surendra Verma's FROM SUNSET TO SUNRISE

We Present to you...

On OCTOBER 7 & 8, 2017

At Spaces, Besant Nagar, CHENNAI

Time: 7:15 p.m

Duration: 1hr 50 mins (with 10 min. intermission)

All Are Welcome - Entry Free

JANOSCH - The Tiger & Bear Tales for Children...

JANOSCH - The Tiger & Bear Tales

JUNE 18, 2017 - SUNDAY 

@ Spaces, Besant Nagar, Chennai, INDIA
Two Shows: 5:30 & 7:30 p.m - 70+ mins duration - for audience 5+ years old...

The Bear & Beanbag Children's Theater Company

a unit of

presents...

JANOSCH

The Tiger and Bear Tales

 

About the performance:

Is it better to stay home with all the given comforts? Or a little adventure in getting around the world to get some perspective? Is that perspective worth the trouble of going around? Join the Bear and the Tiger on their adventure to THE LAND OF THEIR DREAMS... meet several lovely little friends they make on THE(IR) TRIP TO PANAMA...

And while we are on it... WHEN WAS THE LAST TIME YOU RECEIVED A LETTER? Or have to forgotten the good old post card? Not the Tiger, not the Bear... nor Aunty Goose. Explore a whole 'OLD' world of writing letters... a world where they still use a Phone as a Phone. Where a PHONE means a PHONE and does not come with Cameras for Selfies and Groupfies... A LETTER FOR TIGER... 

JOIN US AT SPACES (Elliot's Beach, Besant Nagar, Chennai, INDIA) for a show of JANOSCH... at 5:30 p.m and 7:30 p.m on SUNDAY the 18th June, 2017 with all your kids (yours, those in the neighbourhood and any and every kid you can bring along!)... and the KID IN YOU!

It's a show for 5+. ALL ARE WELCOME!

DURATION: 70 mins.

Poster and Promo concept: Arvind R Vyaas
Costume Design & Conception: Mitra Visvesh
Accessories, Props, Animal Ears & Hood: Ashvi K.S. (Intern)
Assistance in Production & Backstage: Rohit Narayan and Akshita Iyer
Assistance in Direction: Arvind R Vyaas
Lighting, Sound & Artistic Direction: Krishna Kumar. S (KK)

Cast: 
Pranav Dwaraknath (Little Bear), Madhumeeta B (Little Tiger)
Dhiraj Athreya, Shrivatz Agharam, Shriram Sivaramakrishnan & Vishal Vijayakumar
(Multiple Roles & Narration)
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The MYT Write Wing Mann-Ki Poetry Slam

Antidisestablishmentarianism...

If systems are religious and become ritualistic and limnal, do not benefit the parish of learners, such systems must die; contributions and associations to such schools must stop; system must be deemployed if a complete cold reboot is not possible because the architecture resists such reboot designs. Church is but a metaphor in this post for any establishment. I have been witness to one such and was given a cold bath yesterday...

I've always known one cannot fly with turkeys; but, the moment of epiphany is when the realisation dawns that those around you are turkeys. At least, those ruling the roost are turkeys, Orwellian pigs and dogs that would piss on the blueprint when it is not conducive to their egoistic parasitism and predatorial social climbing instincts. You take a decision then: DO NOT fly with turkeys anymore.!

A system that is non-inclusive either at ideological or at practical level is what fuels factions, divisions, partitions; especially when that system harbours cheap ideas of reparations of perceived harms of the past, now that those ruling the roost for the day come to believe they have the power to abuse, however temporarily, to score a pyrrhic victory.

A system that does not want to encourage a pan-systemic fabric in the interests of all stakeholders, but only attempts to foster one in order to protect its interest is myopic. It only wants to include others at their own terms. Such a system is not interested in the long term development of a culture, but works to ensure that the power centre stays with the founders. Such a system is controlled periodically or cyclically by short-sighted minds that wants to ensure their relevance and is its own cancer.

We are living in such times under such systems from local to global, national to universal, notional to empirical. We are living in such matrices as need to be either overthrown or shirked. I was witness to one such very recently and one such that I WAS glad to be a part of and contribute to in the past; a system that is no more open to improvements but is mired in its own bog of physiological growth into bureaucracy that does not anymore aim to foster the growth of its ultimate, purported recipients: learners!

The founding fathers and mothers have long deserted in foresight, surrogate suppliants cyclically lord over ensuring the inorganic degeneration. The gods of rationale and wisdom too would soon desert them. Newer parallel systems would perhaps overtake. Pity to what could have been!

Henrietta Horn - Contemporary Tanztheater Artist

The second person I am featuring here is Ms. Henrietta Horn - the famed Tanztheater artist from Germany. She was the co-artistic director at the Folkwang Tanzschule Essen of Pina Bausch alongside Pina Bausch from 1999 - 2008 as biography would show.

I do not know her personally. I was once introduced to her at the lawns of Max Mueller Bhavan at KNK by Prasanna Ramaswamy very briefly when she was in Madras and presented three of her solo pieces at a very casual evening in front of a few select audience. I do not remember the year a-tall...

Then in 2004, I had the fortune of being at Duesseldorf for 4 months, visiting and associating with theatre artists and artists in general all round NRW area. On Dec 8th or 10th I do not remember exactly, I was at Essen to watch Ms. Horn's Artichokes in Silver Sea - one of her lighter works, she being a quite intense artiste - as part of the Essen-Werden Tanzfest. It was a pure delight later after the show when I went backstage and met her briefly and got her autograph at the back of this little showbill.

Thanks Prasanna-ma. It was a fantastic 4 months visiting K-20 and K-21 and other places, getting to see the works of masters such as the whole Expressionistic canon, Kandinsky, Piet Mondrian... (the list is very long) in person, at touching distance. Thanks to Frau Rahimi who was the head at MMB then. KNK MMB brings a lot of flooding memories! The reason why I pulled this out is a bit oblique. I received invite from Mr. Sadhanand Menon for the recent exhibition at Spaces. Thinking of the great legend Ms. Chandralekha led me to think of only one other person I know - Prasanna-ma, which inevitably for some reason led me to think of Pina Bausch (I remember fondly doing a lot of odds and bits backstage work during Nelken - Carnations - India tour of Pina Bausch & Co back in 90s) and in turn triggered this memory of meeting Henrietta Horn.

The Portrait of a Photographer as an Artist - Mohan Das Vadakkara

Today, my walk down the past lane takes me to putting in front of a whole new generation of young audience two people. The first person I introduce here. The second one in another separate post. 

One I have very personal acquaintance with and have had the opportunity of laughing, kidding around, fighting, having my works watched, analysed, photographed, videographed.... and whom a whole lot of Madras artists are familiar with. I consciously use the word Madras, even though you could have noticed my posts refer to my beloved city more as Madras and only when talking of contemporary inevitables as Chennai. No artist who has walked the Theatre in specific and Arts scene in the city will be unfamiliar with his work or him in person. A very genial, humble and knowledgeable person, I fondly call him as padakkaaran... Mohan Das Badagara. 

The accompanying photos are from a random album of his I chanced upon to take along with me, when Max Mueller Bhavan cleared up from KNK to its current residence. 






  


   

I bought a horde of German books for pittance, was gifted a horde of books - both in German and in English by a lot of Heads there from Herr Augustin, Herr Schindler, Frau Behlke, Frau Wetzkubach, Frau Rahimi.... as and when they left Madras for another pasture. Also, when MMB moved from KNK they were throwing away such a load of things because 1) they were old, anachronistic 2) they couldn't find place for those 3) the new place was getting digitised. So, like many a person, I also became richer with books, posters, media. 

One of those riches in the middle of rags was this album by Mohan Das. It is a simple collection of faces and places. I haven't met him in a while. Am sure he is quietly around at rehearsals, film festivals, art shows, theatre performances clicking away like there is no tomorrow, unassumingly, as he always does. He always tells me the need to buy printed photos, burned DVDs of performances in preservable copy saying "pinnaale venumna kedaikaadhumaaa.... negatives enga pogumnu solla mudiyaadhu, tapes enge pogum, memory card eppo erase aagum..." (later if you need you won't get, negatives and raw data files being erasable!). So I believed him and I BELIEVE HIM because after 25 years of being around, I realise the importance of old materials. I have materials - books, show tickets, fliers, program bills, souvenirs, photographs I myself took, bus tickets on the back of which several artists drew casual sketches and threw away which are documents now, plain paper sheets and tissue papers on which people like Mitran (Devanesen) and others drew stage and set first sketches.... so on and so forth. From 60s (when I hadn't even started taking firmer steps)... till 2006. After that I stopped collecting except those I own from my company. There are too many artists in the business now to keep track of and I lost the excitement of watching many of the theatre shows because they are purely of no aesthetic value to me and commerce never really excites me. 

Anyway, back to Mohan Das. I have some old random pictures. I hope you enjoy these. Some of these have solid history behind them. Notice how his places and facades have the same personality and character as some of the faces he captured. PLEASE FEED ME YOUR THOUGHTS AND VISIT HIS FB PAGE AND GIVE HIM A PAT FOR HIS UNFLINCHING STAND. He's been a very unassuming but steadfast soldier among people of his tribe. Like an artist refusing to budge to the demands of commoditisation making aesthetic works even when there is no cash in the bank or gas in the vehicle tank, he has been plugging away stolidly. As against a lot of photographers I have known started with lofty ambitions and have ended up shooting all kind of things and people for the lure of filthy lucre indiscriminately, Mohan Das is an artist among photographers in the same breath as a lot of documentary film makers, theatre directors who choose their work with a certain politics at heart and mind. Soldier on Badagara...

Marathon Musings

I've been following this sudden spurt in Fitness culture among Indians, more specifically at close range in Chennai and Coimbatore, where am currently on a sojourn!

For a while, the Marathon culture is steadily spreading among the urbanites. It is a good thing. Some run for fitness, some run for a sense of achievement, some run to prove to themselves that they can in little doses push the boundaries of their endurance, some run for records, some run for medals, some for the cause behind these Marathons... and there are also a few wannabes, like in every other vista of life. They just don't wannabe missed out in the next day's or next week's thambola hob-nobs, or miss out on FB status updates or more simply miss out on an opportunity for a selfie!

I happened to accompany my daughter who took part in the morning's annual Coimbatore Marathon organised for creating consciousness to fight cancer. It was so gratifying to see a sea of people, all up and geared since 4 a.m. The organisers must be really commended and lauded for their unsparing efforts to make the event as smoothest as it can be. It was, too. The experience must have been so fulfilling for all involved - organisers, volunteers, runners. I was a watcher-by for all these events. Well, every event needs an outsider perspective, right! So, there I was.

They had a novice class - a 5 K.M run/walk, a 10 K.M run and a 21 K.M mini-marathon. There were close to 12000 people participating from what info that could be gathered. Of course, the selfie culture and ego aggrandisement that has inevitably crept into our westernisation process was self-evident. Some even just landed for the sake of it... one of those random events of early-out-of-bed experiences where they communed with their friends they had parted from only 5 or 6 hours since. It was obvious from the way they continued or picked up conversation half-way from where they had left earlier, without as much of a starter pack! Some had just landed, registered, but did not hit the starting line... traipsed or trudged or ambled or lolled the other way and walked through a short cut to the finish area. They couldn't care to collect their medals: well, they knew they won't get one or deserved to get one, didn't they? Honest Souls, lol! Some... but again... were loaded with precautions to the hilt even though they were doing the novice class. And resolved, even before the race began, inspired by the refreshing and rejuvenating electricity of the atmosphere, that they would attempt to get up this early each succeeding mornings of their post-marathon life.  Some... it was routine. They were there, been there, done that and were doing it... and would do it... by default.

What was it that inspired this tribe, I wondered, that made them commit to these marathons! They sure were no Ethiopians or Kenyans, though one could notice the inevitable African presence at marathons, here too. Yes, there were non-locals and non-Indians too. There was a bunch - rather a few unrelated bunch of people from Kerala. These are Marathoners who travelled from Marathon to Marathon by habit. Fitness freaks? No, I would say. What it is... I can't say. Inspiring it was, I can say.

TOURING TALES - performed by KK (Masquerade), August 2015

At Hippocampus, Chennai. All above 7 yrs are welcome.

BRER RABBIT CHRONICLES...

The Curious Case of CSK

What is happening to Chennai Super Kings at IPL 2? The question that surfaced the other day in some column or some TV channel crops up again: Is MSD a lucky captain or is MSD an anagram for MDS (read MiDaS)? Well... at least for now, looking at 1 out of 5 wins and 1 washed out game that was a certain win (against a beleagured KKR), CSK's ante looks to be up and out.

If one took a closer look at The Curious Case of CSK, there is nothing strange. History is only repeating itself, only so! Last year it was Deccan Chargers Hyderabad, this year it seems to be CSK at the moment. At the moment because, they still have 9 matches to go and if they make the semis, which is not a very BIG IF, but an IF... then anything is possible. As the prosaic and hackneyed adage goes, cricket is a funny game!

Let's get back to what the curious case is. Last year DCH was doing everything right and still ended up the bottom of the table. It was the inability to put together the extra oooomph of winning touch. The problem was that they probably possessed too many big guns.

Adam Gilchrist, Andrew Symonds, Herschelle Gibbs, Rohit Sharma... and yet they couldn't wind it up! Similar problem for CSK this time around: Matt Hayden, Andrew Flintoff, Albie Morkel, Jacob Oram, MSD, Suresh Raina... and yet! May be when you have too many big 'uns you expect one to survive if another fails. Look at KKR - it is happening. Brendon McCullum, Chris Gayle, Brad Hodge, Saurav Ganguly and there's a few more as yet unvetted! When you know your stocks are limited, supply is handled frugally. A case at point: Rajasthan Royals in IPL - 1.

What other causes? The first 6 overs. The Power Play period. Last time around Gony, Balaji, Ntini, Amarnath and Murali were delivering. This time around, Gony is looking listless to say the least, Ntini and Amarnath are only seen being interviewed in the 7 and half minute time out or playing water-boys and Balaji has had some success. Joginder 'Iceman' Sharma is busy chewing his paan somewhere between the third man and the dug-out area. There is a limit to how much a recovering Balaji can do. So Murali is your only option. Also... that IPL truly derives from its local flavour is being proved time and again. Last IPL the Indian local recruits performed better in Indian conditions. This time around... it is the South Africans, barring Graeme Smith.

Look at what happened today to Royal Challengers Bangalore. They were struggling till last night. Suddenly, they cruised to a win, even if it is over KKR and even though the score line indicates a last ball victory. The four overseas recruits RCB played in the Eleven were all South Africans. It is indeed a strange scenario why Boucher came into the side this late. Boucher coming in because Rahul is back home is no excuse not to have played a man of the former's stature. I mean, he is the finisher for South Africa. Today RCB played Kallis, Roelf v d Merwe and Mark Boucher who are South Africans and play for South Africa. Of course, their captain is Kevin Pietersen. Now, we haven't forgotten KP is a South African by birth and almost, only almost played for S.Africa and moved to England when denied opportunity. And he is the biggest buy of RCB. So, again the local flavour doing the winning contribution theory holds water!

Eventually, here is the rub: may be CSK should keep Gony out and bring Ntini in. Rest
Albie... Yes, no point resting Badri because he is a pure batsman and his only problem is the inability to clear the ropes. Someone must tell Badri that his strength lies in playing inside the park than into the stands. When he is in flow, it is such a delight what his bat does to the cherry. The groundstrokes are breathtaking and next only to Sachin, Saurav, Rahul or VVS! Barring Mohali, no Indian ground was big enough last time. Also, his range of strokes are better than Morkel who either swings it right or left giving too much stump vision for the bowler thereby making himself vulnerable to well-bowled blockhole deliveries or disguised slower 'uns. He is more of an agrarian with the bat, Albie is!

I also do not think if Ntini, Balaji, Oram and Murali can't do it, neither can Albie win the match with the ball. So, either keep Badri and rest Albie or bring in another pure batsman. Grapevine, newspapers say, is M. Vijay may play instead of Badri, which is a bad idea. Kapugadera is no great slogger or match winner even in LOI for Sri Lanka except the odd contributions. So, why is he in the team in the first place? MSD seems to be in a fix. There is so much talent and shelf back-up, this team is spoilt for choice. MSD's golden touch is also losing out. Behind the cool exterior one can feel the sweat these days. He hasn't scored enough, hasn't middled enough and his ice-man Joginder has not delivered at death. More than Midas touch or luck what had served MSD in the past is his guts to try out lesser mortal and surprise the opponents with the unknown. People are getting used to his tactics. But to give the scenario a hard look and clinical analysis, nothing is wrong with CSK, they just need to understand they are very vulnerable if they don't shove the push hard to endemic levels up the opponent's face than minimal enema they are administering now.

There is a good match coming tomorrow against Wily Shane's Royals. If MSD passes this litmus test, CSK will march the rest of the way into semis. Remember, CSK has a 0-3 record against RR, and nothing like a victory to set this record right, in the process helping themselves to winning ways with IPL-2. All is not rotten in the state of CSK, yet!

IPL 2 and the carnival...

Bakhtin would certainly have mused at the intellectual audacity of whoever named the IPL 2 a carnival. It certainly is not carnivalistic, leave alone carnival atmosphere. "SOME ONE PLEASE BRING ON THE REAL CROWD PLEASE" Will the Real Slim Shady please stand up!!!

As the IPL 2 bandwagon rolled out on stage yesterday, this was the thought that came to mind at the end of the first over. It still is not IPL. For one, surely missing were the fans, the provincial element and the parochiality of it all that makes up for the atmosphere, the din, the noise, the clash of cymbals, the fanfare, the cheer girls from our own climes... and that distinct clamour an average Indian fan brings on as he frantically gushes and blushes upon sudden recognition that he is being covered by the tv cameras and the thought that he is for that one instant the cynosure of the world cricket watchers' eyes! Oh, the lack of it all! Alas... what boots it incessant care, as Tennyson's Ulysses says! Sachin slams a delectable FOUR and the crowd sits smug. Taylor loses his stump first ball and Kohli does a brilliant run out and Uthappa runs amuck... the crowd is unmoved, Kumble does a 5 for 5... shit happens. No Fun this Safari, I tell you.

How do you expect a Natal Ninja to understand and empathise with the Chennai Super Kings chennaiite fan? Or perhaps the IPL people must have attached a local hyphenation to the Indian teams - CSK-Cape Town Comrades or RCB-Kwazulu Natal Combine etc etc...

If Lalit 'the commissioner' Modi thought - wisely too - that England would be a bad idea to host IPL 2 1) because the English are not noisy and IPL thrives on the hoopla around it and 2) the English would be saturated with cricket by the time IPL bandwagon bids farewell and T20 World Championship starts the very next day, he was right. If he thought the South Africans with a native culture and the Zulu beats would add bindhaas to the IPL 2, he surely went wrong. The local Indians couldn't match the Indians in India and the local South Africans 1) didn't have any empathy for the teams and 2) are still white skins and for that matter too confined by their Genteel roots. I won't be surprised if during the Knight Riders match SRK invades the pitch or shouts and whistles with fingers in his mouth some voice comes over the PA System "Quiet Please. Thank you, Ladies and Gentlemen!"

IPL-Moditva has got the moolahs right not the hooplas! And what-o-what-o-what has Mandira the Extraaaaaaaaa Bedi done to her hair. I couldn't recognise the midget (in comparison) next to Simon Doull on tv before the match yesterday. This IPL is sooooooooo phoney, I would like to call it Indian Phoney League. Bring on the real crowd please!

Digging into my favourites....

I wasn't really intending to do this. But, my daughter set it off. In my previous post I had confessed to going moist-eyed - to put it mildly - after watching Taare Zameen Par. This post has been prompted by hearing that wonderful voice of Shankar Mahadevan in the title song. While the world is going ga-ga over Shaan's Bum Bum Bole, I think the title song takes the cake. So soulful. I guess it has to do with the movie itself. Very soulful. And I have met or spoken to hundreds literally now. Not one has not confessed to unabashedly going "lump-in-the-throat" to "cried-on-every-frame" at some level or other. While I was on that, I mulled over the other "made me moist-eyed" movies. And surprise surprise... some among them were teacher related movies. It has nothing to do with the fact that I am one. But take a look at the list of my favs in that genre: Dead Poets Society must rate on the top of the heap; i.e. until Taare came along! Then the movie of Poitier's based on Brathwaite's apocryphal (to me) novel - To Sir With Love. What a masterpiece creation that novel is! The movie was in my opinion so true to original. Of course, alongside ranks its Bollywood kin Sir featuring Naseeruddin Shah. I remember the day vividly - it was not too often I went for Hindi movies then. But this was one of them. Back in the 80s? I remember seeing it in VeeCumCee Emerald that used to be part of the proud edifice called Safire Complex - never mind the "what later became sleaze joint" popular VeeCumCee (which later virtually became the We Cum, See! joint for quickies and prostitution!) Blue Diamond. There have been several fantastic english movies that have boarded the Blue Diamond bus. But... when you hit the bottom, it gets really bottomer.... Anyway, before I get nostalgic and start contemplating a hubristic eulogy to Safire Complex on which stands weed growth and rubble on Mount Road now, let me cut it off! But...

The following are my education or children related favs: Taare Zameen Par, Dead Poets' Society, To Sir With Love, Sir (surprisingly Kamal's remake "Nammavar" doesn't kick me at all!), the Promethean Pink Floyd video Another Brick in the Wall and lastly but not in that order, Pearl Jam's JEREMY!

Now while we are on movie trip, let me also put down my Top Ten Tamil Comedies. I am not meme-ing anyone on this or anything else. But you can respond with your own Top-10s! Welcome. Here goes:

1) Kaadhalikka Neramillai

2) Ninaivil Nindraval

3) Anbee Vaa

4) Uttaravindri Ulle Vaa

5) Ullaththai Alli Thaa

6) Michael Madana Kamaraajan

7) Singaaravelan

8) Magaraasan & Kaadhalaa Kadhalaa

9) Pancha Thantiram

10) Thenali

I guess I do some kind of compensatory justice to my not including Nammavar in my list earlier. 5 (6) out of 10 (11) in the list you would see are Kamal movies. Well, goes without saying, with his sense of timing and eye for comic nuances, obviously Kamal comedies are off the rack better than anyone else's this side of Sridhar's movies. I am sure, top of 7 out of 10 people's all time tamil comedy list would contain #1 - Kaadalikka Neramillai. Of course there are other movies of yore which are so special for their comic moments - Thiruvilayaadal, Ooty Varai Uravu, several Chandrababu and Nagesh as well as NSK movies, Thillaana Mohanaambal... even the much later Ramarajan's Karagaatakaaran (inspired obviously and modelled on Thillaaana - similar to Sangamam. Three other movies I would like to add to my list, if I had a Top-12 would be Sabaash Meena, Kalyaanam Panniyum Brahmachari & Sabaabathi (bringing up the Baker's Dozen). One may also mention stuff like Aan Paavam and Nethi Adi by Pandiya Rajan and Indru Poi Naalai Vaa by Bhagyaraaj, but they wouldn't somehow get into my Top-10 for reasons I can't explain!

Anyway... so much for Tamil movie nostalgia. I shall stop here. The rest is laughter!

Rain Rain Go Away...

Sounds silly to title a post thus after an old nursery rhyme, but... it's been one blerry frustrating long week, ever since the Met Dept actually predicted a low-pressure depression in the bay or thereabouts... and for the first day it looked pretty usual - situation normal and Met Dept mis-predicting - before day-before-night when it started getting windy in the middle of the night. After that... it's history! There hasn't been any let down in the downpour. It's pissing every blerry 10 mins. Can't go out, but can't stop panicking since tons of work is pending. On top of that... had to travel to Haddows Road at 10 in the morning on Tuesday to keep an appointment for a show slated for Friday at Oxford Bookstores. And then... after blowing about 250 smses about the show... had to cancel / shelve / postpone the show. And another 250 smses informing the postponement of the show.

Besides that... missing all the early morning Perumal kovil pongals of Margazhi since this rain ain't letting me go around the Mylapore Iyengar temples. Very depressing. The best that could be done was to stay home and savour mum's pongal on 1st day of Margazhi over Malola Kannan's rendition of Andal's Thiruppavai! Well... beggars can't be choosers.

And, unsuccessfully tried writing a post denigrating myself for sacrilegiously letting my mind even recognise that DUS KAHANIYAAN actually means THE DECALOGUES! How on earth can one even compare or dare to compare - even if at just the title level - the Sanjay Gupta-Sanjay Dutt crap with Kieslowski's gift to film world! Anyway... the movie is absolute crap. And for what it's worth, I shall try and post that ridiculous post of mine. Please try not to read it.

But but but... on the brighter side... I bought 3 books, read one and a half and ended doing another comparison (in mind of course) that shall presently take the shape of another post. Book 1 - POORVA by Lakshmi Devanath (and the book I contrasted and compared with - Poile Sengupta's VIKRAM & VETAL); Book 2 - Sri Ramanuja (in tamil). I wonder, if he were born in England, would they have knighted him and made an Anagram out of Sri? Silly PJ! Book 3 - ANDHA YUG - yes, that classic by Dharamvir Bharathi in an english translation by Alok Bhalla.

Also... re-editing and titling THUS SPAKE SHOORPANAKHA. I think I shall have it recast and performed in the near future; but not before I produced Mohan Narayan's new play - THE TRUTH ACCORDING TO DEMAS, GESTAS & OTHERS - that I've been working since January this year. That is a real record for me: actively working on one single production constantly and rigorously without a break for almost 12 months. And to think I haven't done any production in the meanwhile. Well, after about 355 days of research, 17 workshop days, 12 changes in casting and 4 re-edits besides having driven poor Mohan to the wall and wit's end, I guess we are well on the way to a good production. The cast that's been around for 12 months and the ones that got settled around last week are to be credited for their faith in me and the work. I think it is a very proud moment for me personally to have a cast-crew that stays with the process and not jumping from show to show. They really are process-oriented. We need more such in Chennai. Just this morning I was talking to another director and she felt we really need actors who would derive more pleasure from sheer work than doing roles on stage. So... the work is ready to roll out on to rehearsals. But 5 more workshop days remain.

Meanwhile, work has started happening simultaneously on 1) DOWN THE ROAD, intended for whenever in 2008. First reading for a re-cast Shoorpanakha-Shakuni show begins this weekend. And the Carol Ann Duffy show is postponed to January 14th most likely.

In the middle of all this, I still manage to steal a kutchery here and a dance recital there. I was at Pethachi this evening... a good Narmada violin recital. But, gates were worse than a Masquerade play... 20 people in the audience. Makes me wonder what is the point in pricing tix at Rs. 500 and Rs. 300. I really pity the Sabhas, but respect their patronage in keeping the spirit of Margazhi kutcheris alive. May there always be Sabhas and may Margazhi Kutchery Season be bestowed with more crowds!

Until the next post!

The Anatomy of Murder and the Killing Fields

Hola... here goes the unedited version of my Citizen Report to The Grossly Commercial Company's recent international premiere of Timeri Murari's two plays at the Metro Plus The Hindu Theatre Festival 2007:

These are days when anything indigenous is exciting. I do not know whether it is a little low-esteem thing on the part of Indians. We go gaga when someone goes celeb internationally from India. Be it Paes, Sania, Narain Karthikeyan... be it embracing a newly discovered Sunita Williams... Glad to say, I don't get excited about it, because I think we Indians are no different from others if we put our attitude on our sleeve and work. But on the night of 7th August 2007, at the Metro Plus Hindu Theatre Festival, I WAS really excited for once. The reason... above all the brand building exercise of tall and hackeneyed names of luminary theatre personalities adorning the stage and groups that have become more the "got to be there" to add to the tradition and box-office assurance, there was something genuine to celebrate.

The Fest had its First. A Chennai playwright premiered at a Chennai Theatre Festival... aptly so in the Chennai Chapter. I think, the Chennai Chapter is a good idea. For those people grousing about Chennai Chapter in a condescending way, I guess over the last three years, the quality dished out from visitors has left often times a lot to be desired and it is to the credit of Chennai groups, they have acquitted much better. And last night The Grossly Commercial Theatre Company's international premiere of our own Timeri Murari's double bill on the anatomy of murder and killing and assassins' minds was something Chennai ought to be proud of.

The first play on the attempt to assassinate Salman Rushdie by two naive villagers desperate to make the big bucks was a very poignant and telling statement on the lure of the filthy lucre. It is many things at many layers. These two bumpkins are no different at one level from the agrarian exodus to the cities to get better living. At another level it is a study of a contaminated human mind that is very Faustian in the hands of the lady who is their Mephisto, luring them to sell their souls to a cause they don't even comprehend or believe in . But in the end it is a very BoBo-GoGo Becketian predicament, having waited for their own Godot, as they realise the futility of it all. The idea was beautiful. Mr. Murari had chosen his concept well. The only problem about the script was... like so many of Indian scripts, in the execution the shadow falls. The amount of platitudes and cliched expressions creeping in in those moments when the playwright starts getting into the psychological and philosophical territories detracted from the theatrical illusion we were getting mesmerised into. The moments of theorising were agonising to say the least. Could have probably avoided. But knowing it is a first performance script and not yet published, there still is time to rework to make it a finer piece of theatre to have emerged from Chennai yet.

The second play... well, was nothing to write home about in terms of scripting. But the narrative flow was neater and the dialogues were very Fugardian. It really reminded me of the two convicts in The Island by Athol Fugard. Except these are an old assassin and a young and proud killer. Ishwar was simply fantastic, to put it mildly. "The Killing Time" was and will remain an example of what the power of theatre is! If you put two right actors who are capable of bringing out a good chemistry and pit their pride and acting talents against each other... it is a director's coup and it is to the credit of director Deesh Mariwala that this play worked from page to stage. His minimal style of theatre making complemented an evening that would have been spoilt with sets and sound for distraction. Again, as regards the script, though it was taut in its narrative structure and inventive in its cyclical style, I must say I left the hall wondering like several others whom I heard discussing, was it the acting that won the day for the playwright? In any case, last night Chennai Theatre was the winner and richer for that experience. If this is the sign of things to come, forget the Ghosts of Christmas Past and let's look forward to the other two plays in the Chennai Chapter that has already shown a remarkable departure from the pitiful spate of comedies where wannabes hang about to be seen. Here is a Chapter that is Theatre with a T, despite its many teething shortcomings, that I hope gets sorted as it grows!