Wednesday, December 20, 2006
One can take up art as a casual or desultory hobby; or as an intensely passionate pursuit. One can embrace art as an amateur or as a professional. It can be a paid vocation or obsessive pursuit involving satisfaction as the goal. In whatever form, once we take up to it, we are artists at some level or other. And we have duties.
First, whatever be the plane of involvement, we are bound by some rules and codes, ethics and etiquettes. Theatre especially is a team game always and ever. Part of the team is an actor. What defines ones frame of mind as regards amateur or professional is this recognition of oneself as a part than the dominant pie. An actor, to put it bluntly, is the most dispensable but most inclusive part of a production. We are not even talking about a performance in terms of a show. A work of production becomes a show only when the audience-factor gets involved. To an artist who is more concerned about the creative process of a production, the audience is/are dispensable as much as an actor. The fact of the matter is an actor could be created. An actor can be developed. Any body could be trained to act. But imparting - self or to other - the foundations or the basic underlying approach to perform a specific role alone does not create a complete actor.
Monday, December 18, 2006
Sunday, December 17, 2006
Director: Kevin Reynolds
Cast: James Franco, Sophia Myles, Rufus Sewell…
Responses to the movie have been wide-ranging from “Reynolds has again delivered a lavish adventure for audiences who like their entertainment earnest and their storytelling straightforward” by romance-o-philes who just go emotional over every movie of its ilk and genre to “A tepid, tinny modernist recasting of the epic romance...something like a WB Network twentysomething soap opera in medieval dress.”
If you’re not convinced, try this contrast: “Intensely romantic and artistically photographed, 'Tristan & Isolde' is a welcome quality release during the January movie doldrums,” feels the critic of Reeltalk Movie Reviews while another critic asks, “Do we really want less magic in our legends? And if these stories are stripped of their mythic aspects, are they even very interesting anymore?” Now, that is T+I’s problem. The heart of these legends is their mythic proportion of saga-making, which is their soul as well. Accepted, T+I is touted as the precursor to R&J; but then again, what it lacks is the most vital aspect of a tale of love and passion – the selfsame heart! There is too much confusion in the mind of Reynolds as to what must dominate.